“The group demonstrates all the qualities that make show choirs eminently lovable”
Editorial Rating: 3 Stars: Nae Bad
In large part thanks to a popular American TV series from the 00s, being in a show choir has become a lot more socially acceptable – even “cool” in some circles – in recent years, so it was great to see a packed house for Edinburgh University Footlights’ latest show, and a stage full of diverse young people who love being there.
In A Step In Time the group demonstrates all the qualities that make show choirs eminently lovable: fun renditions of upbeat popular tunes, killer vocals, show-stopping choreography and smiles big enough to fill the room. But behind all the glitter and grapevines, did the performance itself deliver a knock-out punch? In my opinion, not quite.
Opening number Step in Time set the scene well as a lively and energetic introduction to the night’s proceedings with some clever, subtle changes in lyrics and arrangement to make the song feel like the choir’s own. Accompanied by full-on intricate choreography, it says something about the fitness and dedication of the group that they were even able to breathe for the next ten minutes, let alone perform song after song, complete with dance routines.
For me, it was a shame there was significantly more focus on the “show” rather than the “choir” elements of the performance, with complex choreography and numerous costume changes detracting from the vocals throughout. Harmonies and power were often lost in the frantic flailing of arms and apparel, and what remained was at times imprecise and unnecessary. The flow of the performance was also quite stilted, with some uncomfortable lengthy pauses between songs, hindering the overall enjoyment of the night.
However, it was in the simpler and more stripped backed numbers where the group really excelled: the 90s medley, Seasons of Love and the 00s medley in the second half really showcased the strength and depth of the choir’s vocal talents, and it’s a shame we didn’t see more consistent top quality vocals and arrangements like these from the choir as a whole throughout the show. There were also some beautiful stand-out solo and small group performances (specifically Believe, She Used To Be Mine and I Know it’s Today) which highlighted some really gorgeous individual voices.
I would have preferred more quality over quantity in terms of the choreography, using it cleverly in specific numbers to give wow-factor, with greater focus on the basics of group singing as the overarching emphasis. Overall I think the group tried to do too much too often, which left the lily not just gilded, but smothered in cream and cherries too.
Still, it was an entertaining performance from a talented bunch of young people, that was, on the whole, very enjoyable. I look forward to the next one.
Reviewer: Steve Griffin (Seen 10 March)