“There were plenty of them who you would not want to go on a beach holiday with.” – Author Steve Tibble talks about ‘Templars’

“Helping to make the British Isles more peaceful and productive was a consequence of their actions. But it was a by-product rather than a primary goal.”

WHAT: “The Knights Templar have an enduring reputation―but not one they would recognise. Originally established in the twelfth century to protect pilgrims, the Order is remembered today for heresy, fanaticism, and even satanism.

In this bold new interpretation, Steve Tibble sets out to correct the record. The Templars, famous for their battles on Christendom’s eastern front, were in fact dedicated peace-mongers at home. They influenced royal strategy and policy, created financial structures, and brokered international peace treaties―primarily to ensure that men, money, and material could be transferred more readily to the east.

Charting the rise of the Order under Henry I through to its violent suppression following the fall of Acre, Tibble argues that these medieval knights were essential to the emergence of an early English state. Revealing the true legacy of the British Templars, he shows how a small group helped shape medieval Britain while simultaneously fighting in the name of the Christian Middle East.”

WHO: “Steve Tibble is a graduate of Cambridge and London Universities, and is a research associate at Royal Holloway College, University of London. He is one of the foremost academics currently working in the field of the crusades, and is the author of the warfare and strategy chapters in both ‘The Oxford Illustrated History of the Crusades’ and ‘The Cambridge History of the Crusades’ (2023).

His recent publications have been critically acclaimed and include ‘The Crusader Armies’ (Yale, 2018) and ‘The Crusader Strategy’ (Yale, 2020, short-listed for the Duke of Wellington’s Military History Prize).”

MORE? Here!


Why ‘Templars – The Knights Who Made Britain’?

Basically, it’s about trying, in my own minor way, to remedy an injustice.The British Templars were small in numbers but they achieved extraordinary things, through commitment, focus and setting themselves the most demanding of standards. But, because of the outlandish things they were accused of by the French crown at the end of the crusades, their reputation has been distorted and tarnished beyond all recognition. Their fall was the biggest tabloid story of the Middle Ages.

That’s not to say that I agree with everything the Templars did – there were plenty of them who you would not want to go on a beach holiday with. But, with so many crazy lies and theories in circulation, I thought it would be good to go back to basics and revisit the truth.

The Templars certainly deserved better, particularly in terms of their reputation.

How did the Templars come to play such a pivotal role in English state formation?

There were two very distinct groups of ‘British Templars’ (and ‘British’ is an important distinction…they were very influential at the Scottish court as well as the English one).

One group, the order’s British soldiers in the front-line military arm, had the ‘glamorous’ but dangerous job of fighting in its armies and manning its castle garrisons in the East – these Templar volunteers performed heroic acts of outstanding bravery in the defence of the Holy Land.

But they were supported in their increasingly forlorn endeavours by the less dramatic but vital work undertaken on their behalf by their fellow brothers back in Britain. This other group, the British Templars on the ‘home front’, had the task of running farms, organising financial support and, often more importantly, lobbying the governments of England and Scotland. These were the Templar brothers who sent money and volunteers to aid the war effort and used their influence to ensure that British kings and queens did as much as possible to help the crusading movement.
They weren’t coming over all Mother Teresa: they wanted Britain to be in as good shape as possible to support the crusading movement.

Paradoxically, helping to make the British Isles more peaceful and productive was a consequence of their actions. But it was a by-product rather than a primary goal.

Are there still any Templars who can legitimately trace their roots back to the knights of auld?

Hmm…we have to remember that they were a devout Catholic religious order, reporting directly to the pope, who were accused of crazy things, eventually exonerated but closed down in the early fourteenth century.

The two big clues are the date (they ceased to exist a very long time ago), and that they were a papal order (there is no such papal group now and there hasn’t been one for 700 years). You can draw your own conclusions.

Claims to be a ‘Templar’ say far more about us than it does about the real thing.

None of this stops the conspiracy industry, however. Evidence is not the true arbiter of debate. The Templar mythology has much in common with the recently manufactured discussions about the authorship of Shakespeare’s plays. The interesting issue is not ‘who wrote Shakespeare?’ (correct answer: he did) but, rather, why would anybody ask the question in the first place.

Let’s take Freemasonry as an example.

The internet is the obvious driver of such conspiracies in our own time. But the tradition of Templar false histories vastly predates it. The eighteenth century was a turning point. Freemasonry had begun to take off. There was a need to explain the origins of the new movement in suitably impressive and mysterious ways. This called for a grand, albeit spurious, backstory – something that linked them, for reasons of snobbishness, with the knightly classes of the Middle Ages. But it also needed to be a story with a whiff of magic, a dash of arcane knowledge and a huge helping of secrecy. The Templars were a perfect match.

In the 1760s, the German Freemasons began to retrofit, for the first time, their supposed links with the Templars. The order, it was claimed, had long been a centre for secret wisdom and profound magical insights. Luckily, just before he was arrested, the last master of the Templars, James of Molay, was able to package up all this information and pass it on to his successor. This new ‘master’ and hence the Templar order itself were thus (in the story at least) the ancestors of modern freemasonry.

We can only guess what James of Molay, a devout papal servant and one of the least imaginative of men, would have made of all this. He would undoubtedly be shocked to hear of a continuing association of the order with blasphemous, occult activity – and the story is, of course, completely unencumbered by evidence.

What are the main Templar sights still to be seen in Britain?

The main one is the ‘New Temple’ – ‘new’ in the sense that it was built in the 1150s, to replace an older structure! It is in London, just off Fleet Street – absolutely beautiful. You can still see the funerary monuments of William Marshal (a Templar associate who later became a full brother on his deathbed) and his sons there.

But the wonderful thing about the Templars is that their presence is still all around us. When I wrote the book, I was mostly sitting at a desk that is walking distance from one Templar preceptory and a short drive from another. And when I go to the library, I am a ten-minute stroll away from a third Templar preceptory. Britain is not big and there were a lot of preceptories. It’s a great excuse to go out and enjoy our heritage.

There is also a strange correlation between beautiful old settlements (where the Templars are over-represented) and interesting pubs….

Were the Templars simply a bunch of posh boys and girls on the medieval version of a gap year or were they more socially inclusive?

A big ‘No’ to all of that I’m afraid…

There were no Templar women (the brothers were at the cutting edge of medieval warfare, and this was one of the few areas of medieval life where female involvement was kept to a very minimum); they weren’t aware of our moral judgements and played by the rules and mores of their day.

Similarly, this was no ‘gap year’. There were different types of membership but the baseline meant that you had to become a monk, embrace celibacy and subdue your personal desires to the discipline and needs of the order. Almost the definition of an anti-gap year!

There was no social inclusivity either. Just like the vast majority of pre-twenty-first century societies or groups, they had no sense that diversity or inclusivity was valuable or useful. Most of the brothers (volunteers) came from families at the ‘upper-middle’ range of society. But a lack of inclusivity did not mean that they were racially bigoted. Racial identity was by no means as important a signifier as it has recently become. Ironically from that perspective, the main task of the order was to protect the Holy Land and its Arab, Syrian and Armenian inhabitants, most of whom were, of course, still Christian at this point in time.

The key thing from the point of view of a historian is to resist the temptation to superimpose our own obsessions and inflated sense of moral superiority onto the actions of peoples in previous ages.

If you could ask a senior Templar, such as Sir Robert Eddison in the final scene of Indiana Jones and the Last Crusade – one thing, what would it be?

Ah, dear Robert! Perfect for that role.

Q. What did you do with the Holy Grail? (other than bury it in Essex and wait for the Detectorists to find it)

The Royston Cave in Hertfordshire, what’s that all about?

I’m not sure I’m afraid. What little I’ve read seems inconclusive. I always assume these kinds of things are nice stories, but without a lot of hard evidence to allow you to draw a proper judgement from. Newspapers often run stories about the discovery of ‘Templar graves’ etc in the silly season (there was an outbreak of that last summer)…but if you look at them you can see that they are, at best, medieval graves with very little that is specifically ‘Templar’ about them.

And that says a lot about the enduring image of the Templars – huge numbers of people want to be associated with them or to ‘find’ objects that are associated with them.

If you could mess up the timeline and become an advisor to the Templars, when would you go back to and what would you suggest?

On a macro level, I’d go back and try to persuade them not to do it. The crusades were unwinnable. The attempt to recover and defend the old Christian heartlands of the Middle East were demographically unsustainable. The west and central Mediterranean (areas such as Spain, Portugal, Sicily, southern Italy and so on) could be recovered as they were closer to the heart of Europe. But the eastern Mediterranean was definitely a bridge too far. Anyone with five minutes’ access to GoogleMaps could tell you that it’s not going to end well.

And, of course, the heroism and commitment of the Templars ironically made things worse – the best outcome, if you had to start the crusades, was that they should come to a swift end. The Templars’ courage and efforts just extended the pain.

How are the Templars understood in the Muslim world?

I think at the moment the brothers are swept up in the broader maelstrom of name-calling that reverberates around the Middle East – ‘crusaders’ and ‘jihadists’ are both misrepresented and caricatured terms now, and that is deliberately exploited for their own purposes by politicians of all cultures and religions.

At the time, however, views were surprisingly measured. We know that the brothers on the ground in the Middle East were fairly well-integrated, both within their own local Arab communities (who were mainly Christians) and with their Muslim neighbours. Lines were drawn, of course, and these were communities at war on an almost perpetual basis – but we know that individual Templars had Muslim friends and close diplomatic relationships with their neighboring states.

Ironically, the brothers were often accused of being too friendly towards their Muslim opponents by crusaders who were newly arrived from the west – in their ignorance of local affairs, they often thought the Templars had ‘gone native’.

What are you currently working on?

I’m just finishing a book entitled ‘Crusader Criminals’, which will be published by Yale this summer.

I’ve had such fun writing it. Everyone one assumes (correctly) that the crusades saw a spike in warfare and military ghastliness. What no one has ever studied, however, is the impact which this influx of violent, armed and disinhibited young men had on civil society and the huge uptick this meant for all aspects of criminality…the crusader states really became the ‘Wild East’.

So it’s a book with an interesting and unusual anthropological background, but also with loads of great stories. A British pirate who saved a king, changed the course of the crusades and, over-achieving as ever, became a saint. Bedouin bandits. Viking crusaders going on mounted lion-hunting expeditions. Murdering monks. Crusader prisoners of war in Cairo who, like Robert Leadam (great middle name) Eddison, stayed behind after the crusades had ended…unlike dear Robert, however, they chose to become gangsters and corner the Egyptian market in illicit alcohol and prostitutes rather than guarding the Holy Grail. You couldn’t make it up.

Anyway, crazy, hilarious stuff!

LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

EdFringe Talk: J.E.N.

“You can have next to no audience for a full three week run, and then happen to be seen by the one right person who ends up launching your career to the next level on your last day.”

WHO: Jennifer Kehl

WHAT: “Jen’s Evolution is Nigh: One woman. One TikTok challenge. Seen through the millennia. Popularised by TikTok, “get ready with me” morning videos showcase people’s daily morning rituals through a quick-cut social media lens. But how would these routines differ for a medieval peasant, a Fifties housewife, or a CEO of the future? This commentary on the hilarity of the human race shows the evolution of one woman’s morning routine as seen throughout history – from the Stone Age to the apocalypse.”

WHERE: Paradise in The Vault – The Annexe (Venue 29) 

WHEN: 16:15 (45 min)

MORE: Click Here!


Is this your first time to Edinburgh?

Though I have performed at the Edinburgh Fringe before, this is my first time bringing a self-produced solo show. The Ed Fringe is truly unique if you are a performing artist. You can have next to no audience for a full three week run, and then happen to be seen by the one right person who ends up launching your career to the next level on your last day. Or you can luck out and get a five-star review in your first week and have sold-out crowds for your entire run. Or you can absolutely crash and burn and have to cancel all your shows because a million people take your flyers but nobody shows up at show time. The Ed Fringe is a gamble and a hustle and the most terrifying, exhausting, and wonderful experience in the entire world.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

For the 2022 Fringe, I had the cushy job of simply being “actor.” Of course, I was out flyering and advertising for the show I was with, but I did not have to do any of the intense marketing. This year presented a truly steep learning curve in terms of the producing and advertising side of things. I completely underestimated how active you have to be on social media and how difficult it is to get reviewers in to come see your show if you haven’t lucked out in the first week with a notable media outlet. We still haven’t received any professional reviews despite some rave audience reviews and non-stop TikTok videos, and I have to be honest – if my boyfriend didn’t have a Twitter account, our show would really be struggling at this point. It’s all about the social media folks! I have definitely learned how to be more confident in terms of flyering, starting conversations, and sending non-stop emails to press. Most importantly, I have learned that it is truly exhausting and distracting to have to do all of this other stuff and THEN have to go on and perform every day with 100% energy. It’s a feat, and I highly recommend coming with a team if possible.

Tell us about your show.

I’m a third year MFA student studying theatre at Rose Bruford college just outside of London. Part of my education involved spending time at the National Theatre Institute in Waterford, Connecticut, where I met the brilliant writer and director Rachel Ropella. We definitely sparked working together at school and so when I approached Rachel asking if she’d like to work on a climate change-themed play to take to the Ed Fringe, I was delighted when she accepted. Rachel and I spent a few months over Zoom doing historical research and writing the play together, and through Rachel’s Minnesota-based company Melancholics Anonymous, J.E.N. was born. We bounced quite a few ideas around in the early days, but the one that stuck was the concept of ridiculous social media trends like the popular “get ready with me” morning routine and what that would have looked like throughout history. Our show uses this concept to explore (in a light-hearted way) how “trending” practices throughout history have led us to where we are today in terms of climate change. The Edinburgh Fringe marks the premiere of J.E.N. and we hope to have a future with the show – though we are currently trying to just survive Edinburgh before determining what happens next.

What should your audience see at the festivals after they’ve seen your show?

Oh gosh, I’ve seen SO much good theatre this year… here are some of my favourites. For sketch comedy / circus weirdness, “Laser Kiwi – Rise of the Olive” had me in stiches, awe, and wonder, and the performers are super nice to boot. I saw and participated in the most incredible small venue magic / theatre show called “It’s Magic, But Is It Art?” Which was part monologue, part art history lesson, and part intimate magic incredibleness (is that a word?) “Adaptation: Enough Already” REALLY spoke to me as a woman who often feels herself overwhelmed with the people pleasing. It was beautiful and heart-felt and had great, live music. “Klanghaus: InHaus” was just a really cool immersive room with some rockin’ live music and insane projections which I loved (they provide ear coverings for the audience if it’s too loud!)”Chicken” was a bizarre and truly delightful solo show that was just so different from all the other solo shows out there – it’s highly recommended. If you want something slightly funny but also sobering and beautiful, go see “Afghanistan is Not Funny.” Finally, I’ll say that I did the little outdoor escape game through Agent November called “Major X Ploe-Shun” which was actually super fun even though we didn’t solve it in time and all got a button that said “I exploded.” I could go on forever – get out there and see some shows!


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!

EdFringe Talk: Shoot the Cameraman

“The help of our host organisation, Assembly, has been invaluable. We learnt a lot about what participating in the fringe entails in terms of the company’s strategic development.”

WHO: Baptiste Hilbert

WHAT: “Shoot the Cameraman. Blend the instinctive and spontaneous quality of live performance with the possibilities of the seventh art by joining camera operators with live dancers on stage. The audience will thus be offered a permanent double reading of the piece and have the opportunity to simultaneously attend a live performance on stage and on screen.”

WHERE: Assembly Roxy – Central (Venue 139) 

WHEN: 15:00 (60 min)

MORE: Click Here!


Is this your first time to Edinburgh?

Yes, and it’s also the first time that Luxembourg has sent an official showcase.

The Fringe is a real experience for us because it gives us another insight into how the market works across the Channel. The cultural market works in a different way here and it’s very important for our future international sales strategies to understand how the different sectors work.

It’s also an ideal opportunity to confront our work with a new multi-disciplinary audience who aren’t particularly used to contemporary dance.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Preparing for the Fringe was laborious for us, given that this was our first experience we didn’t really know what we were getting ourselves into. The help of our host organisation, Assembly, has been invaluable. We learnt a lot about what participating in the fringe entails in terms of the company’s strategic development. Targeting and making contact with professionals and the press, as well as the importance of well-established communication.

Over the last few months the company has also been working on several other projects for the 24/25 season.

A brand new creation, “Mary’s daughters”, is currently being created and will premiere in Luxembourg during the 25/26 season.

And more recently on the third edition of our dance festival “Plate-Forme AWA” for young European choreographic creation and the bringing together of dance amateurs and professionals. This will take place in February 2024 and will include workshops and masterclasses for amateur and professional dancers, as well as two evenings of performances at the Luxembourg choreographic centre (TROIS C-L) and the Kinneksbond Theatre in Mamer.

Tell us about your show.

Shoot the cameraman was co-written by Catarina Barbosa and myself (Baptiste Hilbert).
We are co-artistic directors of the dance company AWA As We Are (LU).

AWA is a company that works on a project basis and we always put together a team that we know and with whom we have infinite contact in everyday life.

The show is co-produced by some of Europe’s leading dance structures, such as Les Théâtres De La Ville De Luxembourg, CCN des Ballets du Rhin, ….

This is a production for 2019/2020, just in time for the Covid crisis. We have nevertheless managed to tour the show for a few exceptional dates after the crisis, such as Teatros Del Canal in Madrid in October 2022.

The Fringe represents a final opportunity for us to disseminate this work and make contact with any interested organisations.

What should your audience see at the festivals after they’ve seen your show?

As a dance company, we’d like to unofficially encourage you to check out Dance Base in Grassmarket. The programme is rich and varied, with works that perfectly reflect the different current inspirations in contemporary dance.


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!

EdFringe Talk: Ada Campe: Naval Gazing

“The huge challenge of Edfringe is probably a big part of what makes it such an amazing and satisfying experience overall.”

WHO: Ada Campe

WHAT: “Ahoy! Sail away with cabaret legend and variety artiste Ada Campe for an adventure on the high seas – and a show that puts the merry in maritime, the naughty in nautical and the oar in awesome! ‘Ada Campe made me laugh more than anyone on the circuit for years. Genius.’ (Sandi Toksvig). ‘Fabulous’ (ScotsGay). ‘Very funny’ (Guardian). ‘A real original and with irrepressible funny bones’ (Chortle.co.uk). ‘A marvellous teller of tall tales’ (Scotsman). ‘Totally bonkers, totally brilliant, totally booming unmissable’ (Basil Brush). http://www.adacampe.com”

WHERE: The Stand’s New Town Theatre – Studio (Venue 117) 

WHEN: 14:55 (60 min)

MORE: Click Here!


Is this your first time to Edinburgh?

It’s my 6th Edinburgh and my 4th year at The Stand’s New Town Theatre! This year it definitely feels busier than 2022 on the streets, but nowhere near as vibrant as 2019.

As ever one of my very favourite things about performing at Edfringe is getting to work with chums and meeting new chums whilst doing spots on compilation cabaret, comedy, variety and magic shows. There’s just so much talent and joy out there, and cabaret folk are the nicest, sparkliest people to work with in my experience.

I stay in the New Town so am very grateful that the tram extension has finally opened – and although there are still plenty of roadworks going on the city traffic feels less congested than it did last year. I love walking back to my digs after a late night show on a clear night, watching the seagulls swooping around looking for drunk people who are being careless with their chips.

For me the variety of shows at Edfringe is the absolute best. There’s always something extraordinary to see and be part of. I love the willingness of audiences to take a punt and to be spontaneous, and for those that are prepared to escape the Old Town and venture to the New Town there are lots of goodies to be found. Don’t be George Square – be George Street!

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Last year’s show Ada Campe: Too Little, Too Soon was forged in the COVID times and so was necessarily less interactive than this current one or my previous show Ada Campe and the Psychic Duck. There was of course still fun interaction and a bit of magic, but the focus was more on the storytelling.

Whilst stuck at home I’d been delving into queer histories of theatre folk, particularly those of the women in my family, and found a love story which would go on to become the heart of the show. This was a new direction for me, and I was thrilled with how much the audience engaged with that love story, and how moved they were at the end of the show.

The biggest thing I learned was how easy it is to shock an audience with a story about a pleasurable one-night stand between two middle aged women! I expected a Fringe-going comedy audience to be unflusterable, but when I said that during that encounter “she rummaged for my clitoris with the enthusiasm of a truffle hound” the reaction was always hilarious! I don’t think people expected it from me – and it delighted and surprised them. It delighted and surprised me too 😉

Tell us about your show.

My show this year is Ada Campe: Naval Gazing. It’s an adventure on the high seas, a joyful hour of nautical titting about, and lots and lots of fun! There’s magic, an inflatable seal called Celia, prizes to be won, and a very special surprise prop I made myself. I’m wearing an incredible hat from Fishheadhats which is worth the price of entry alone to see up close, and having the most fantastic time encouraging my audiences to be playful and silly. The tech team at The Stand’s New Town Theatre are, as ever, wonderful – and my two techs this year Uncle Fraser and Uncle Josh are a joy to work with.

There were only a few previews before Edfringe began – including one very fun one at The Magic Circle in London – so the show as it is now has really been shaped by the fabulous Edfringe audiences. I’d like to take it to other places after the Fringe and need to put some feelers out about that… hopefully there’ll at least be a couple of performances in London in the autumn. Follow me on social media to be the first to find out news!

What should your audience see at the festivals after they’ve seen your show?

Gosh, so many to recommend, and I’m bound to leave off lots of lovely folk from this list by accident so apologies in advance.

For top magic stuff – definitely seek out Charlie Caper, Griffin and Jones, Magic Arron, Chris Cook, Tom Brace, David Alnwick, and the Absurd Panel Show run by Ava Beaux and Kane and Abel.

Cabaret shows – Magic Faraway and the Lock-In Cabaret (both at the Voodoo Rooms) are an absolute must! Blues and Burlesque features the excellent Belle de Beauvoir who I know from the London cabaret scene. If you’ve never been to ACMS at Monkey Barrel you are missing out. The Creative Martyrs are an Edfringe staple for me – it doesn’t feel like the Fringe has begun until I’ve seen them. Kaisa Ling Thing is an Estonian singer and performer you should seek out. Frank Lavender’s show made me cry with laughter, and Flat and the Curves are just incredibly talented.

Stand ups – Sikisa, Yuriko Kotani, Sam See, Vix Leyton, Alexis Dubus, Kiri Pritchard-McLean, Sarah Keyworth, Shelf, Marjolein Robertson, Mary Bourke, Rachel Creeger, Kate Smurthwaite, Adele Cliff, Robin Ince, James Nokise.

Other – Susan Morrison’s walking tour, Jody Kamali, Tom Crosbie’s always excellent nerding, John Robertson’s The Dark Room, The Cabaret of Dangerous Ideas, The Comedy Arcade, Julia Masli, and the wonderful Lucy Stevens as Gertrude Lawrence.


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!

EdFringe Talk: My Best Judys

“I flew all the way from Australia!! One whole day of travel for a week of fabulous shows here at the Fringe. Very worth it.”

WHO: Caitlin Cassidy

WHAT: “Come and enjoy a night in celebration of one of the world’s most beloved entertainers, the one Ms Judy Garland. My Best Judys features world-class entertainers featuring only the best tunes from the titans of the American songbook, Harold Arlen and George Gershwin amongst others. Starring vocalists Caitlin Cassidy, Dani Sicari and Madeleine Joyce. This show received rave reviews at FRINGE WORLD Festival in Western Australia were it was first premiered and is now coming to the UK for the Edinburgh Fringe.”

WHERE: ZOO Southside – Main House (Venue 82) 

WHEN: 22:20 (60 min)

MORE: Click Here!


Is this your first time to Edinburgh?

This is my first Edinburgh Fringe and it is absolutely fantastic. I flew all the way from Australia!! One whole day of travel for a week of fabulous shows here at the Fringe. Very worth it. It’s brilliant to see the arts and notably the performing arts take a front seat in a city. As a performer I feel very inspired by other artists and the wide range of shows to see!

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

It’s quite a big deal for us to bring this show to Edinburgh and we are so pleased to be at Zoo Venues. The show has developed quite a bit over the years and we are so pleased with where it’s at now.

One thing we decided to do was do some work with a vocal coach to workshop our segues in between songs and speaking with the audience. Her name is Anne Whitaker and she is an amazing coach. We really enjoyed working with her. She has worked with lots of brilliant actors and on West End shows so we felt pretty delighted that she was up for working on our show. She has really helped us add an extra element to this show and build our confidence as a cast.

Tell us about your show.

So we originally produced this show for Fringe World festival 2022 in Perth, Western Australia. It came out of a show that was about three opera singers who accidentally had careers in Jazz as well. When we started brainstorming, what show we should do next… We didn’t have to think twice when Judy’s name came up. The show one a fringe weekly award and we had such a great time producing it! When the opportunity came up to bring the show to Edinburgh Fringe, we were thrilled!

The show celebrates the songs that Judy Garland sing throughout her career. We could never BE Judy… no one else could be Judy. But we can definitely sing her songs and celebrate who she wasn’t as an artist.

The best way I could describe the show is a fabulous stripped back Judy Garland show. We bring guests on every night just like she used to on her television program and our fantastic Pianist , Tom Harris is a musical genius.

What should your audience see at the festivals after they’ve seen your show?

The other shows at Zoo are incredible! Beasts (why girls shouldn’t fear the dark) produced by Womxnxarts, Why English? By Vibhinna Randev and Calling in Love by Caroline O’Meara.

I can also highly recommend The Easy Rollers: Drop me off in Harlem, which is being performed at the Jazz Bar on the 21st, 22nd, 24th and 25th of August at 4 pm. They are a roaring vintage 7 piece jazz band, exploring the jazz age (1920-1933) and swing era (1933-1947). It’s a good time. Brilliant Musicians, and a very entertaining show. It’s also going on tour there’s autumn around the UK. One of our singers, Dani is in this show!

Our pianist, Tom, is also in another show called What Happened to Agnes? It is staged jazz song cycle with beautiful artwork projections on the set. Brilliant storytelling and stunning music. We can highly recommend this one too which is being performed at C Venues at 1:15pm produced by Ulita.


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!

EdFringe Talk: Nicole Travolta is Doing Alright

“I dreamed of coming here. It’s a real pinch me moment.”

WHO: Nicole Travolta

WHAT: “Bad with money, great with a (spray) gun. A one-woman show about a compulsive shopper who freed herself from debt and shame (and the weight of a famous last name) one spray tan at a time. Spray tanning is one of Hollywood’s best kept secrets. As a skilled impersonator, Travolta introduces her audience to some of the… how shall we say…. eccentric… clients she’s met on her shockingly bizarre journey through the world of spray tanning. Doing Alright has enjoyed sold out runs at The Groundlings Theatre and Dynasty Typewriter in Los Angeles.”

WHERE: Greenside @ Riddles Court – Willow Studio (Venue 16) 

WHEN: 20:55 (60 min)

MORE: Click Here!


Is this your first time to Edinburgh?

It’s my first time in Edinburgh, and also my first time at Edfringe! I’ve fallen in love with this beautiful place, it’s magical. Being at Fringe feels so surreal to me. When I opened my show in Los Angeles in January, I dreamed of coming here. It’s a real pinch me moment. I think the most magical part of the festival itself is watching so many talented performers from all over the world showcase their work. Each artist has a different story to tell, and it’s such a supportive community. Something that’s often hard to find in this industry.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Since this is my first Fringe, I’m really learning as I go! I can tell you this though. From a personal stand point, a lot can change in one year. Never in a million years did I think I’d be HERE after beginning to write my show in 2022. I’m absorbing so much, and have a better understanding of how it all works for future Fringe performances!

Tell us about your show.

“Doing Alright” takes you on a chaotic journey of my life as a compulsive shopper with a large sum of “mall debt” , divorce, familia trauma…and then freeing myself from it all when taking a job as a spray tanner. I do a lot of characters and celebrity impressions, so I use those skills to animate some of these chaotic stories.

My show really hones in on my relationship with money. A topic that not many openly discuss, and one that many feel a lot of shame around.

I co wrote my show with my Director, Lauren Burns. I came to her with this idea back in February of 2022, and when she heard my story (with her jaw on the ground) she said “let’s do it”. We opened the show in this past January to a sold out run at The Groundlings in Los Angeles, and Dynasty Typewriter. We did two shows in Las Vegas, and after Fringe we are headed to Pittsburgh and NYC!! I’ve been doing this for 8 months, and every time I get up on stage to perform it still feels like magic.

What should your audience see at the festivals after they’ve seen your show?

Avital Ash Workshops her Suicide Note
Everyone’s Worried About Eve
Courtney Pauroso Vanessa 5000
Maria DeCotis Before the Drugs Kick In

These are all strong female voices whose journeys I’ve been following. Not to miss!!


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!

EdFringe Talk: Furious

“’ve only been here a few days but I’m already learning things at a rapid speed.”

WHO: Emily Fury Daly

WHAT: “Zany, fast-paced and poignant, Furious is a wildly honest and hilarious roller-coaster ride of a solo show. Emily Fury Daly weaves together her experiences as a Special Education student in a broken system, a Planned Parenthood Volunteer during the devastating overturning of Roe V Wade, and her own recovery from alcohol addiction in a global pandemic. EFD is your hostess, your clown, and your confidant for a raw and exciting evening exploring Emily’s generational female Fury. Come and get Furious!”

WHERE: Greenside @ Infirmary Street – Sprout Studio (Venue 236) 

WHEN: 17:15 (60 min)

MORE: Click Here!


Is this your first time to Edinburgh?

Yes! This is my first time! Though, it’s been a long time coming. I’ve been dreaming about coming to the Fringe ever since I was in drama school. As soon as I heard it was a thing, I was like, “wow, I need to do that.” I just love the celebration of everything weird and wonderful. The whole idea of everyone deserving a space to tell their stories is inspiring. Even the chaos is electrifying! It’s just a really special place.

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

I’ve only been here a few days but I’m already learning things at a rapid speed. I guess the most recent one would be regarding flyering – I’ve started viewing it as an extension of my performance in itself instead of something I “have” to do. It’s an opportunity to connect with people and to show myself completely and unapologetically. I’m proud of my work and my show and it’s important that that is reflected in how I speak to folks on the street. So, yes, I’m learning confidence is KEY!

Tell us about your show.

My solo show is called Furious. Topics include but are not limited to my experiences as a kid in the American Special Education system, volunteering at Planned Parenthood, my recovery from alcohol addiction, and generational female FURY! I drew a lot of inspiration from the incredible women in my family – the Fury women. I wrote it and workshopped quite a bit of it while doing stand up comedy in NYC. Furious has had performances at three different venues in NYC. After Fringe, I want to continue taking it around! Perhaps a cross country tour in America? Who knows! The possibilities are endless, but I’m mostly
excited to see it grow and change during its run here at Fringe.

What should your audience see at the festivals after they’ve seen your show?

There are SO many powerful female performers here at the Fringe this year, it’s been awesome
to see. Directly after my show (in the same venue, even!) is another solo show by a fearless young woman that is already getting great buzz. It’s called “The Wake Of Ur Problematic Fave: Prty Grl” by Claire Tumey. Vulnerable, raucous. Check it out!


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!

EdFringe Talk: After Shakespeare

“I’ve learned the value of putting yourself out there – you never know what might happen, or who you’ll meet.”

WHO: Lexi Wolfe

WHAT: “What happens to Shakespeare’s best-loved heroes and most reviled villains after the curtain falls? Come and join a host of familiar Shakespearean characters as they reflect back on their lives: including Lady Macbeth, Portia, Hamlet and King Hal (Henry V). Lexi Wolfe weaves together Shakespeare’s words, historical research, and her own dramatic spark, as she transforms into four distinct characters, to follow their onward journeys. Winner of Best Actress, Buxton Fringe 2021. ‘Lexi Wolfe is a formidable actor’ (Buxton Fringe).”

WHERE: theSpaceTriplex – Studio (Venue 38) 

WHEN: 16:05 (60 min)

MORE: Click Here!


Is this your first time to Edinburgh?

As a company, yes. I performed here fresh out of training with The Yellow Wallpaper back in the Dark Ages (or so it seems) but this is the first time we’ve brought one of my own one woman shows to the Edfringe. It’s been somewhat of a goal for us to get it here, and it’s my co-creator Andrew’s first time EVER at the Fringe, so exposing him to the wealth of talent this place always has on offer has been something of a treat for me!

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

Oh cripes. Having fibromyalgia – an invisible illness – you need to learn to both pace yourself as well as give yourself a goal to strive towards. That’s the main thing I’ve learned. Also the value of putting yourself out there – you never know what might happen, or who you’ll meet.

Tell us about your show.

I wrote After Shakespeare during Lockdown as one of those Always Meant To projects. I took it to the Buxton Fringe two years ago and managed to get Best Female Actor that year!

I’ve done a number of one woman shows before, so it is as intended. Andrew has been amazing at sorting everything out for me to just have to learn the show and perform every day. We’ve been working together for over six years on the aforementioned shows. After this, we’ll likely be seeing if we can set something of a tour up, as it is doing better than even I hoped!

What should your audience see at the festivals after they’ve seen your show?

In the same venue is the Standard Short Long Drop – at the moment, the best thing I’ve seen at the Fringe this year. Can also recommend The Mitford Sisters, and Edmund Dehn’s performance in Lear Alone (right before us, and supported by Crisis) is just stunning!


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!

EdFringe Talk: Death Suits You

“I am thrilled to be THIS overwhelmed.”

WHO: Sam Hooper

WHAT: “Show of the Week Winner VAULT Festival 2023. We all feel underappreciated at work, and Death is no exception. Death (personified) puts a lot of work into the way we die, and never gets the credit he deserves. Across an hour, Death takes us through the artistry involved in ensuring that each and every one of us meets our maker. This musical black-comedy shows the lighter side of the inevitable. Death Suits You features an original book, lyrics and score by Sam Hooper and Robert Tripolino. Directed by Gabrielle Scawthorn.”

WHERE: Bedlam Theatre – Bedlam Theatre (Venue 49) 

WHEN: 18:30 (60 min)

MORE: Click Here!


Is this your first time to Edinburgh?

First time, and thrilled to be THIS overwhelmed.

I think the best part of a festival is how open everyone is to seeing different kinds of work.
I’ve seen shows here that I think I would have labelled “not for me” if I were back in my regular life (Which is perhaps also a sign that I should be more open minded..)

Halfway through and I’ve seen 21 other shows on top of performing my own every day. It’s theatre saturation at it’s absolute BEST!

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

2022 taught me that (much to my annoyance) networking is valuable and required in the arts. Which is necessarily not a bad thing – but in 2022 I viewed it as a bad thing.

Being here and seeing people’s shows, catching up for drinks with friends and meeting new people, I’ve found the golden ticket for networking, and the part I really love: Recommending other poeple’s shows. I know fringe is about self promotion, but I find it much easier to gush about a brilliant show I’ve seen (especially if they’re a friend) and I think it’s a much better tool at the fringe.

Ruben Kaye does a fantastic thing at his show (The Kaye Hole) where after celebrating the 6 acts he has in that night, he then turns to the audience to promote several audience members shows.

So my lesson is – Network on behalf of your friends, because it’s easier. Hopefully they’ll do the same!

Tell us about your show.

My show started 13 years ago as a quick 15 minute university project! I was always very fascinated with Death, and my family joked a lot about morbid things. So I guess that writing a show on the topic was a natural evolution. Making a story with Death (personified) as a somewhat socially awkward public servant who is frustrated we don’t appreciate him can have some tricky moments. How do we make him likeable when he’s making certain comments, or talking about specific deaths? Everyone is going to have some kind of trigger or strong association with it, so it’s unavoidable. I think (or hope) we arrived at a place that walks the line without crossing it.

It’s taken 13 years and 4 iterations (and lots of material on the cutting room floor) for it to get to this point. Our most recent (VAULT festival 2023) we were lucky enough to win show of the week, which blew our minds a bit! The company is a mix of Aussie and UK artists. The director (Gab Scawthorn) and I have known each other for about twelve years now, and worked on this show together for the last four.

Currently we have no (concrete) plans to take the show further. We have a few pipe dream ideas for the show’s development but we’ll see how they go…

What should your audience see at the festivals after they’ve seen your show?

BILLS 44th. GO! It’s BRILLIANT!
I love a show that takes a concept and evolves it throughout the piece. Bill’s 44th does so in SUCH a clever way, and with incredibly varied moments that all contribute to the larger narrative. The entire piece felt so detailed and thought out. Comedic and poignant.

Lou Wall vs The Internet
Lou has written brilliant millennial chaos. The show is ultimately about instagram jealousy, but does so in many clever segments and references. Looking at the twisted logic behind “beating” jealousy, and wraps it up with a clever and satisfying ending.


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!

EdFringe Talk: Asexuality!

“Identifying as an asexual man was something I had struggled with for a long time, but that identity was completely unacceptable in the heteronormative world I lived in.”

WHO: Rebecca McGlynn

WHAT: “What does it mean to be a man in the 21st century? How does toxic masculinity affect those of us assigned male at birth? What’s so great about sex, and why won’t people shut up about it for two goddamn seconds and just let me play my video games in peace?! Written and performed by transgender artist Rebecca McGlynn, Asexuality! is an autobiographical musical comedy about Rebecca’s pre-transition life. The story follows Robert, an asexual man navigating a hypersexual world. Through music and comedy, he explores sex, romance, love, loss… and, eventually, her true gender identity.”

WHERE: Gilded Balloon Patter Hoose – Nip (Venue 24) 

WHEN: 23:00 (60 min)

MORE: Click Here!


Is this your first time to Edinburgh?

Yes it is! I’ve spent a lot of time at the Hollywood Fringe Festival over the last few years as a writer and performer, but nothing compares to the Edinburgh Fringe! It’s been a dream of mine to bring a show here for years, and now it’s finally happening!

What are the big things you’ve learned since 2022 and have you absorbed any of the lessons yet?

A lot of the learning process is still happening for me. Performing a one-woman musical every night for a month is a lot to manage. (I’m also running tech for two other shows.) Some days I want to go out and be as extroverted as I can–handing out flyers, going to see other artists’ shows, or networking at meetups. Other days I want to stay in with a cup of tea and meditate or chill out with a podcast. There’s a delicate balance between productivity and self-care, and I’m doing my best to maintain both. (This is a good lesson to learn in the rest of my life, too, but it’s especially relevant at the Fringe!)

Tell us about your show.

I started writing “Asexuality!” in 2017, right around when the #MeToo movement exploded. I realized firsthand at that time that male victims of sexual assault were (in certain circles) excluded from the conversation. As I reflected on my own life, I remembered all the times I had been silenced from speaking up–not just about my sexual assaults, but lots of times. I knew I wanted to write a show about my life, focusing on how toxic masculinity hurts people of ALL genders.

Over the next couple of years, I wrote this script. Identifying as an asexual man was something I had struggled with for a long time, but that identity was completely unacceptable in the heteronormative world I lived in. As many writers do, I masked the pain and the emotional triggers with comedy, which led to a very fun balance of hilarity and sincerity.

In April of 2020, my marriage completely fell apart, due in no small part to the fact that I was a closeted transgender woman. It took my wife leaving me to make me accept this new identity, which left more questions than answers. The show became not only about ace identity and toxic masculinity, but also about transgender issues and the relevance (or irrelevance) of labels.

It’s a very fun show. Ines Wurth is my producer in Edinburgh, and Jessica Lynn Johnson is my development producer in Los Angeles.

In addition to being a writer, singer and actor, I’m also a cinematographer and editor in the film industry. (I was even nominated for an Emmy in photojournalism.) My show prominently features three “inner voice” characters who only ever appear on video projections. This gives me the opportunity to interact with them on stage, and even sing in four-part harmonies with myself!

What should your audience see at the festivals after they’ve seen your show?

I highly recommend Ines Wurth’s other three solo shows. “Hollywoodn’t” by Lisa Verlo is her powerful #MeToo story with a famous film director in the 1980’s. “Breakup Addict” by Paige Wilhide is a transformational story about her struggles with love addiction. “Temporarily Yours” by Greta Zamparini is a show that delves into the stories of sex workers.

In addition, my boyfriend Laser Webber has an incredible show called “A Shark Ate My Penis: A History of Boys Like Me.” It’s a laugh-a-minute journey through his life and struggles with transmasculine gender identity, but also weaves an educational thread about trans men through history, proving that trans people aren’t new. We’ve always been here.

“Two Cats on a Date” by Griffin Kelly is one of the best and funniest pieces of solo theatre I’ve ever seen. (And I’ve seen a lot.) Her impression of two cats on a date goes wildly off the rails and honestly I don’t want to give too much away. It’s incredible.

Also I just saw “I Wish My Life Were Like a Musical” which is a must-see comedy cabaret-style musical for any fans of musical theatre. It’s all original music about the performers and audiences that love big Broadway and West End shows, expertly written and flawlessly performed.


LIKE WHAT YOU JUST READ? FOLLOW US ON TWITTER! OR SIGN UP TO OUR MAILING LIST!

INTERESTED IN BEING INTERVIEWED TOO? CLICK HERE!