“An intriguing drama”
Criminology 303 is an interesting concept – flipping between alternate scenes 40 years apart. Initially we meet retired detective Norma Bates (Jilly Bond) in 2016 reflecting on an unsuccessful investigation from her past, before the action reverts to 1976 where she is in the thick of it. We learn early on how this (the only unsolved case of her career) clearly still haunts her, so an intriguing drama is set up as to whether she might finally solve it on our presence.
Bond does a great job in switching between the two ages of her character – the crabby older version is a distinct progression from her greener and more confident younger self. And although prone to some overacting (I think her initial terror at the power point presentation misbehaving is a bit extreme), she shows great skill and stamina to drive the action in both scenarios.
This production’s main downfall, however, is its length. At barely half an hour, it feels like it only just gets going before very abruptly ending. There is no satisfactory resolution, no real sense of progression in either story beyond some scene-setting, and consequently the whole thing feels a bit pointless.
I would have liked to see the 2016 scenario develop into a discursive and positive look back at the case with a view to at long last solving it, rather than being a very rushed ghost story that scares Bates away from her own lecture. The pace of Bates’ descent into terror in this part feels very disingenuous, subverting the strength her character should have had (after 40 years in the force), so to me a more subtle and drawn-out approach here would have been more powerful.
In the flashback scenes Julian Gartside is commandingly creepy as Mr McLeod, yet Tommo Fowler’s direction has him physically touch and overpower Bates as detective on more than one occasion, which again feels forced and comes across as a cheap way to demonstrate status quickly, when other techniques would have had greater impact. The scene-setting and background to the background of the case in this scene is very well developed and delivered by Gartside, if seemingly a little irrelevant from the main story, but again I can’t help but feel this all would have been so much more effective if we got to see more about how the action panned out in the end – it is a frustrating beginning to a chapter that ends mid-sentence.
Reviewer: Steve Griffin (Seen 24 August)