“Emotive and gripping”
Two Sides of the Curtain follows the struggle of Ada and Erich – lovers on either side of the “curtain”, who long to be together, but, for whatever reason, can’t. At least that’s what I think it’s about. I’ll admit I’m no expert on the history and politics surrounding the Cold War and the specific reasons why people were and weren’t permitted access to certain places, but even by the end of the performance I didn’t feel much the wiser.
Erich seems to have a job that gives him quite a lot of political and practical clout, including the freedom to travel around the country (presumably Germany) as he chooses, while much of Ada’s reluctance to run away with him seems to come from lack of will rather than fear of being caught in the process, though it’s never particularly clear why she makes the decisions she does. Indeed, it’s quite frustrating how little we get to learn about both characters throughout the piece, making it hard to empathise with them at any given moment.
Shifts in time and place are also difficult to comprehend – I spent much of the show trying to work out when and where the action was taking place, with very few clues – in either the script, direction or design – to assist. Token pieces of props or set – had there been any – may have helped to some extent, but it’s the lack of detail in the script which is the main problem. If writer Jack Kelly aims to create a thick fog of mystery surrounding the piece he certainly succeeds, but more detail up front would definitely help laymen like me wade through it with him, rather than being left languishing in an ignorant abyss.
In saying that, the play does have commendable ideas: the struggle of two lovers on either side of a dangerous line is emotive and gripping, as are the twists that develop in the closing couple of scenes – it’s a shame this all comes so late on. The performances are solid: Rachael Naylor as Ada is very natural and easy to watch, while Andrew Crouch as Erich shows great emotional range and charisma. There is potential here to make a really gripping show.
Overall this is a good effort from Sussex University Drama Society, but the flaws and holes in the script just make it too difficult to fully engage with. If you like a show where you have to do a lot of guessing and detective work to piece together what’s going on, or perhaps are a lot more clued up on what it’s like to live in Cold War Berlin than me on any given Saturday evening, this show might be for you. But I’m still trying to work out who, where and when I am.
Reviewer: Steve Griffin (Seen 19 August)